Category Movie Reviews
But The Disaster Artist is so perfectly meta: An hit-and-miss actor-director with endless funding for hundreds of bad movies, playing a so-bad-he’s-infamous actor-director with endless funding to make one really, really bad movie.
Martin McDonagh’s Three Billboards Outside Ebbing, Missouri will definitely be one of the most talked about, and most contentious, movies of the year. This sprawling Midwest invective takes on police incompetence, brutality against people of color, and sexual assault, with heavy doses of small-town racism and sexism. It’s wildly entertaining; you truly don’t know where McDonagh is going. But don’t assume the movie has anything profound to say beyond that.
The last weekend she ever sees him, Alison Bechdel begs her father to talk to her. Really talk to her. This mundane car ride comes weeks after she comes out to him, hours after she learns he sleeps around with young men—and days before he steps in front of a truck. It’s Alison’s first and only chance to address what used to be their shared secret. He makes a small gesture, suggests a local gay bar, but she reminds him she’s too young to go. Nothing is really said.
For its first two hours, Blade Runner 2049 seduces us, slowly drawing us deeper into the past as we search for the key to upend this bleak authoritarian future. Where everything ends up isn’t as satisfying, but that’s not surprising for a movie motivated by mood, color, and scale more than plotlines.
I don’t think a traditional review of Mother! would be effective. But I did want to wrestle a little with the movie.
Summer days drift on, and Frankie bums around his Brooklyn neighborhood, traipsing the beach with his squad of dumb goons, walking the Coney Island boardwalk, engaging with a girl who makes suggestive eyes at him. At night, he’s on a gay Brooklyn chatroom, clicking from cam to cam and scrolling past bare torsos until he […]
By land, by sea, and by air, the evacuation of Allied troops from Dunkirk, France just across the water to England was a harrowing week at war. As the Germans forced the English, French, and Belgian troops to the beaches, the Allies plotted how to escape across the sea while holding the Germans off.
Sofia Coppola’s revisionist take on The Beguiled is at turns a romance, a savage fable, a brightly lit noir; and it’s that languid uncertainty—the promise that her story could go in any direction—that sustains the movie’s dreamy suspense.
The words the happy say Are paltry melody But those the silent feel Are beautiful— Emily Dickinson’s sister-in-law comes over in the wee hours, alarmed to see a light on, only to find Emily awake and preparing to write poetry in the quiet of the night. The look on Emily’s face is beautiful as she […]
I re-watched Guess Who’s Coming to Dinner before catching Jordan Peele’s Get Out in theaters. Many critics have suggested Peele plays off the earlier movie’s title and crowd-pleasing comedy-of-manners style. Guess Who’s Coming to Dinner was old-fashioned when it opened in 1967. Sidney Poitier was a big star at the time; he was the only […]